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Showing posts with label Scene 6. Show all posts
Showing posts with label Scene 6. Show all posts

Saturday, April 27, 2013

Macbeth Act 3, Scene 6: Forres. The palace summary and analysis


Act III: Scene 6



 
Summary
Meeting with a rebel lord, Lennox reveals his doubts concerning Macbeth. His argument is that those who might be immediately suspected of murdering their kinsmen are less likely to have done so than Macbeth, who had killed the guards of Duncan's chamber so hastily. Although Lennox is prepared to accept Macbeth's actions, he cannot help feeling deeply suspicious of him. The other lord reveals to Lennox that Macduff has fled from Scotland to join forces with Malcolm in England. Moreover, they have requested help from England's King Edward the Confessor. Both Lennox and the other lord pray that God's vengeance may swiftly fall on the tyrannical Macbeth and that Scotland may return to peace once more.





Analysis
Some of the language of this scene is difficult. Its lines are full of pauses, half-spoken thoughts, and fragments of reported speech. Its function is twofold: first to convince the audience of Lennox's real thoughts about Macbeth. Even though Lennox appears loyal to Macbeth at the end of Act IV, Scene 1, here he divulges his concerns in lines such as "Men must not walk too late" and, more directly, the phrase "the tyrant's feast."
The primary function of the other lord is to confirm the news of Macduff's flight to England and to introduce the names of other rebel leaders, Northumberland and Siward, who will combine against Macbeth in the final act. But his words "That . . . we may again / Give to our tables meat, sleep to our nights" (32-34) also recall, ironically, the words of Macbeth to his wife in Act III, Scene 2: "But let the frame of things disjoint . . . / Ere we will eat our meal in fear, and sleep / In the affliction of these terrible dreams."

Glossary
marry (4) indeed
want the thought (8) help thinking
straight (11) straightaway
the two delinquents (12) that is, the guards of Duncan's chamber
an't (19) If
with Him above . . . work (33) with God's help
The cloudy messenger . . . clogs me with this answer The surly messenger refuses to report to Macbeth the news of Macduff's desertion for fear of punishment.





Macbeth Act 1 Scene 6 Before Macbeth's castle summary and analysis


Act I: Scene 6
 



Summary
King Duncan and his retinue arrive at Inverness. Various formal greetings are exchanged between the king and Lady Macbeth, who, like a chameleon, now takes on the more typical role of perfect hostess.

Analysis
Duncan's speech on his arrival at Inverness is heavy with dramatic irony: Not only is the "seat" (the surroundings) of the castle "pleasant," but even the air is sweeter than that to which the king is accustomed. The presence of the martlet (a summer bird) serves to heighten the irony. As far as the king is concerned, the castle, from the outside at least, appears to be a paradise. Contrast this picture of delight with the imagery of hell that forms the substance of the Porter scene (Act II, Scene III).
The king's address to Lady Macbeth and her subsequent reply are full of the heightened language of formal introduction: "God 'ild you," "We rest your hermits (your servants) ever." Of course, her elaborate greeting contrasts her language of the previous scene and emphasizes her falsity.
The stage directions that frame this scene are full of the pomp and ceremony of a royal visit. To a musical accompaniment, food and drink are transported from one side of the stage to the other. Although the audience does not see the revelry on stage, Shakespeare intends us to understand that the king is to be well entertained.

Glossary
temple-haunting martlet (4) bird that nests in church porches
loved mansionry (5) favorite building
jutty . . . vantage (6) eaves, convenient corner
pendent (7) hanging
procreant cradle (7) nest
haunt (8) regularly visit
love . . . love (11) As king, I must always acknowledge my subjects' love even though doing so is a burden to me. But I must tell you that in taking trouble for me, you win God's thanks.
All . . . house (14) Even if I were to double my efforts on your behalf, it would be nothing compared with the honour you pay by visiting our house.
cours'd (21) chased
purpose . . . purveyor (21) intended to arrive before him
holp (23) helped
in compt . . . audit (26) on your account, to be assessed by you

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