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Showing posts with label Plot. Show all posts
Showing posts with label Plot. Show all posts

Sunday, April 28, 2013

The Open Window by Saki Plot Analysis

The Open Window Plot Analysis





Andrew Kokanoutranon


  Open Window Analysis

The Open Window Plot Analysis 


Exposition: "My aunt will be down presently, Mr. Nuttel," said a very self-possessed young lady of fifteen; "in the meantime you must try and put up with me.

The story starts off by the narrator giving details and back round descriptions of the characters. 

Inciting Incident: "Her great tragedy happened just three years ago," said the child; "that would be since your sister's time." 

"Her tragedy?" asked Framton; somehow in this restful country spot tragedies seemed out of place. 

"You may wonder why we keep that window wide open on an October afternoon," said the niece, indicating a large French window that opened on to a lawn. 

"It is quite warm for the time of the year," said Framton; "but has that window got anything to do with the tragedy?

Framton, the main character, gets introduce to a plot and he takes it as truth. 

Rising Action: "I hope you don't mind the open window," said Mrs. Sappleton briskly; "my husband and brothers will be home directly from shooting, and they always come in this way. They've been out for snipe in the marshes today, so they'll make a fine mess over my poor carpets. So like you menfolk, isn't it?" 

She rattled on cheerfully about the shooting and the scarcity of birds, and the prospects for duck in the winter. To Framton it was all purely horrible. He made a desperate but only partially successful effort to turn the talk on to a less ghastly topic, he was conscious that his hostess was giving him only a fragment of her attention, and her eyes were constantly straying past him to the open window and the lawn beyond. It was certainly an unfortunate coincidence that he should have paid his visit on this tragic anniversary. 

Framton gets introduce to Mrs. Sappleton and he thinks she is insane, but in reality she is telling the truth; this is setting up for the climax. 

Climax: In the deepening twilight three figures were walking across the lawn towards the window, they all carried guns under their arms, and one of them was additionally burdened with a white coat hung over his shoulders. A tired brown spaniel kept close at their heels. Noiselessly they neared the house, and then a hoarse young voice chanted out of the dusk: "I said, Bertie, why do you bound?" 

The main character sees that the husband and the sons were walking towards the house, the character reaches the point of no return. 

Falling Action: Framton grabbed wildly at his stick and hat; the hall door, the gravel drive, and the front gate were dimly noted stages in his headlong retreat. A cyclist coming along the road had to run into the hedge to avoid imminent collision. 

"A most extraordinary man, a Mr. Nuttel," said Mrs. Sappleton; "could only talk about his illnesses, and dashed off without a word of goodby or apology when you arrived. One would think he had seen a ghost." 

"I expect it was the spaniel," said the niece calmly; "he told me he had a horror of dogs. He was once hunted into a cemetery somewhere on the banks of the Ganges by a pack of pariah dogs, and had to spend the night in a newly dug grave with the creatures snarling and grinning and foaming just above him. Enough to make anyone lose their nerve." 

The main character reacts to the climax by running out and away from the ‘ghosts’. 

Denouement (Resolution): Romance at short notice was her speciality. 
The resolution of the story consists of the family thinking that Framton is insane because he ran away. 


1. Look up the meaning of the name Vera. How might Saki's choice of this be considered verbal irony?

The name Vera means truth but she was lying to Framton about her family dying. 

2. In what ways is the story's last line ironic?

Vera was lying the whole time about her family’s death just to keep her amuse, and the author makes us think that Mrs. Sappleton was crazy. 

3. Find two other ironic statements in the story.

"The doctors agree in ordering me complete rest, an absence of mental excitement, and avoidance of anything in the nature of violent physical exercise."

"It is quite warm for the time of the year," said Framton; "but has that window got anything to do with the tragedy?" 

4. What is the point of view in the story? How does the point of view create irony?

The point of view in the story is in third person view and it is limited to knowledge. We only know what Framton is thinking and no one else. We wouldn’t have known that Vera was lying until the end of the story. 

5. Identify important character traits of Framton Nuttel, and Vera. What action and lines of dialogue are the most important in the development of their characters?

Framton is on the edge of insanity, he cant take anymore stress or else he’ll go insane. He is a fragile person, any little excitement or anxiety can make him insane. Vera is a lair and a fifteen year old girl. She lies to Framton only to keep herself amused by his terror. When Vera greeted Framton at the door, the story would have never happened if Mrs. Sappleton opened the door instead of Vera. 



The Cask of Amontillado Plot Analysis with examples


The Cask of Amontillado Plot Analysis





Most good stories start with a fundamental list of ingredients: the initial situation, conflict, complication, climax, suspense, denouement, and conclusion. Great writers sometimes shake up the recipe and add some spice.
Initial Situation

An insult, and a vow of revenge
Fortunato and Montresor have a history, and a painful one at that. Fortunato has wounded Montresor a “thousand” times. Montresor never complains. But one day, Fortunato goes too far: he insults Montresor, and Montresor vows revenge.

Conflict

How to make things right – forever
For Montresor to revenge himself for Fortunato’s insult, he has to get away with it – if Fortunato can revenge him back, then Montresor has lost. The punishment must be permanent − Fortunato has to feel it, and he has to know it’s coming from Montresor.

Complication

It’s almost too easy…
There really isn’t much complication. After a few carefully dropped hints from Montresor (think “Amontillado” and “Luchesi”), Fortunato insists on following Montresor down into the underground graveyard of your worst nightmares. Montresor baits him and plays with him, but Fortunato never considers turning back until it’s way too late.

Climax

Trapped in a conveniently man-sized space!
Montresor brings up Luchesi, Fortunato calls Luchesi an “ignoramus,” and boom! He’s chained inside an upright casket in the foulest depths of the catacomb! That’s the story’s big, explosive moment.

Suspense

Brick by brick by brick…
Montresor is building a wall of suspense, especially if you are Fortunato. Fortunato’s watching himself being bricked in, waiting, breathlessly to see if this is some kind of really creepy carnival joke.

Denouement

The final brick
After Montresor puts in the final brick, the suspense is dissolved. He’s heard the pitiful jingle of Fortunato’s bells, and it means nothing to him. As soon as the air is used up in the tiny brick casket, Fortunato will be dead.

Conclusion

Looking back
It’s impossible to know how old Montresor is when he kills Fortunato, but in the second to the last line of the story, we learn that the murder happened fifty years ago. So Montresor is probably pushing eighty when he’s telling the story. And he could be far more ancient. More importantly, this conclusion lets us know that Montresor has gotten away with his crime so far. His vengeance has been a success, and he wants us to know it.




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