Act I: Scene 4
Summary
In Duke Orsino's palace, one of his pages, Valentine,
enters, accompanied by Viola, disguised as a young eunuch, Cesario. By their
conversation, we realize that after only three days, Cesario has already become
a great favorite with the duke. In fact, Viola has won Orsino's confidence and
favor so thoroughly that when "Cesario" enters, Orsino sends the
others away so that he and Cesario might be alone. He asks Cesario to do him a
very special, very personal favor. Cesario is to be the duke's messenger, his
proxy, and carry notes of love from Orsino to Olivia. Cesario is to explain in
detail the passion which Orsino has for Olivia and, in addition, Cesario is to
enact Orsino's "woes." Furthermore, because Cesario himself is so
beautifully handsome, Orsino believes that his avowals of love will be all the
better received. His reasoning is that his love messages will entice the fair
Olivia favorably because they will be presented in such a handsome package, as
it were. Orsino also says that if Cesario is successful, he will be well
rewarded; he will "live as freely as thy lord / To call his fortune
thine."
Cesario is reluctant; in an aside, he reveals that
"he" (Viola in disguise) has fallen in love with Orsino. Ironically,
as Cesario, Viola will be doing some wooing for a man whom she would gladly
have as a husband herself.
Analysis
This scene shows us that Viola has been completely
successful in carrying out her plan to become a member of Duke Orsino's
household. Within a period of only three days she has completely captivated the
duke, who has taken a fancy to her and is now not only employing her as his
personal messenger, but he has also confided his innermost thoughts to her —
that is, he has confided them to "Cesario."
At the opening of the scene, Valentine informs Cesario
that he is likely to be advanced in the duke's service. This prompts Cesario to
ask if the duke is sometimes "inconstant" in his favors. Viola is
hoping that the duke will ultimately be constant to her — and yet she is also
hoping that the duke will be inconstant in his affections for Olivia; it is
not, however, until the last line of this scene that we discover that in these
three days Viola has fallen in love with the duke. Part of the comic situation
here involves the dramatic irony that Viola (in disguise) is forced to try to
win Olivia for Duke Orsino when in reality, she would like to shed her disguise
and be his wife herself.
At the end of the scene, Viola cries out, "Whoe'er I
woo, myself would be his wife." This statement aligns Viola then with the
other romantic lovers. She differs from them only by the fact that she is in
constant touch with reality and can therefore evaluate her position.
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