John Milton‟s “On His Blindness” (1673)
When I Consider How My Light is Spent (On His
Blindness) Summary
The first seven and a half lines of
this poem are one big, long, confusing sentence. Here's our summary: "When
I think of how I have lost my vision even before middle age, and how I am
unable to use my best talent to serve God, I want to ask if God requires his
servants to work for him even if they don't have vision."
But before he can speak up, a figure called Patience answers his question. Patience is like, "You think God needs your work? No, man. His best servants are the ones who bear life's burden the best. He already has thousands of people running around across land and sea to serve him. You can just stand right there and wait on him, and that's enough."
But before he can speak up, a figure called Patience answers his question. Patience is like, "You think God needs your work? No, man. His best servants are the ones who bear life's burden the best. He already has thousands of people running around across land and sea to serve him. You can just stand right there and wait on him, and that's enough."
Lines 1-2
When I consider how my light is spent,Ere half my days, in this dark world and wide,
- The
speaker thinks about how all of his light has been used up
("spent") before even half his life is over. As a man without
light, he now lives in a world that is both "dark and wide."
- The
first word of the poem, "When," gives us an idea of the
structure of the sentence that will follow. The structure is, "When
this happens, that happens." As in, "When I broke the glass, I
had to find a broom to sweep it up."
- But be
careful – the second part of the sentence doesn't come until lines 7 and
8. Milton's audience was more used to reading dense and complicated
sentences, so you'll want to take the first seven lines slowly. (That's
OK, we also think Milton's audience would have had a doozy of a time
figuring out text messaging.)
- Most
readers believe that the poem is clearly about Milton's blindness, but the
poem never directly refers to blindness or even vision. Instead, we think
that "light" is a metaphor for vision.
- The
metaphor is complicated. The speaker says that his light can be
"spent," and this word suggests that he is thinking of something
like an oil lamp. The light is "spent" when the oil in the lamp
runs out. To make a contemporary comparison, it would be like someone
comparing his vision to a flashlight that runs out of batteries before it
is supposed to. Milton is suggesting that he got a bad deal.
- The word
"spent" also makes us think of money. Milton is reflecting on
how he has used or "spent" his vision, now that it is gone. Has
he used it wisely, or did he fritter it away because he thought it would
never run out?
- The word
"ere" means "before." How does Milton know that he
became blind before his life was halfway over? For this to be true,
wouldn't he have to be some kind of psychic who knew when he was going to
die? The usual explanation of this line is that Milton guesses roughly how
long he will live. Milton went completely blind at the age of 42.
- Finally,
calling the world "dark and wide" makes it sound like a scary
place, doesn't it? Interestingly, Milton makes it seem as if the world has
run out of light, rather than growing dark because of any blindness on his
part.
Lines 3-4
And that one Talent which is death to hideLodged with me useless, […]
- These
lines are the trickiest in the entire poem, because they appear to be
simpler then they are.
- The key
word is "talent." You probably read "talent" and think
of skills like throwing a perfect spiral or being a piano prodigy. But
there's a double meaning intended for people who know history or Biblical
scripture. In the ancient world, a "talent" was also a standard
of weight used to measure money, just as a "pound" is a measure
of both weight and currency.
- You can
read Matthew 25 (it's short), but here's our brief summary
of "The Parable of Talents." A lord gives three of his servants
some money ("talents") to hold on to when he leaves for a trip.
Two of the servants use the money to gain more money for their master. (In
contemporary language, we'd call this 'investment.') But the third servant
just buries the money, the ancient equivalent of hiding it under your
mattress. When the lord returns, he's happy with the first two servants
and gives them more responsibilities, but furious with the third servant.
He exiles the third servant into the "darkness," which is the
equivalent of "death."
- When
Milton says that talent is "death to hide," he is referring to
the money in the Biblical story and also to his own "talent," in
the sense of a skill or trade.
- There is
no way to tell what specific talent he means, but our guess would be his
intelligence and his writing and reading skills, which he had used in
service of Oliver Cromwell's government. This "talent" is
"lodged" or buried within the speaker just like the money in the
story. It cannot be used to make greater profit.
Lines 4-6
[…] though my Soul more bentTo serve therewith my Maker, and present
My true account, lest he returning chide;
- The
speaker has just told us that his talent is as useless as money buried in
the desert, but now he says that his uselessness has nothing to do with a
lack of will. To the contrary, his soul desires (is "bent") to
use his skills in the service of his "Maker," God.
- When he
is faced with God, he wants to have a record of accomplishment to show
Him.
- God is
being compared with the lord from the "Parable of the Talents"
in Matthew 25. When God "returns" to him like the master in the
parable, the speaker wants to show that he has used his talents
profitably.
- The word
"account" here means both" story" and "a record
of activities with money."
- If the
speaker turns out to have wasted his profits, he worries that God will
scold or "chide" him. And if God is anything like the lord from
the parable, the speaker could get cast into a darkness even more fearful
than the one created by his blindness.
Lines 7-8
"Doth God exact day-labour, light denied?"I fondly ask. […]
- It has
taken the speaker six lines to get through the part of the sentence that
begins "When." Now he goes on to say what happens
"when" he thinks about all the stuff he has described above.
Namely, he wonders if God demands that people undertake hard, physical
work, or "day-labour," when they don't have any light.
- The
speaker doesn't have any light because he's blind, but in Milton's
metaphor he compares this condition to having to do work at night that you
would normally do during the day – like, say, building a house or plowing
a field.
- The word
"exact" means something like "charge,"
"claim," or "demand." You can "exact" a toll
or a fee, for example. So the speaker wants to know if God demands work as
a kind of payment that is due to Him.
- The
first section of the poem is completed by the words "I fondly
ask." The word "fondly" means "foolishly," not
"lovingly." The speaker accuses himself of being a idiot for
even thinking this question.
- Fortunately,
"patience" steps in to prevent his foolishness. More on that in
the next section.
Lines 8-10
[…] But patience, to preventThat murmur, soon replies, "God doth not need
Either man's work or his own gifts; who best
- "Patience"
to the rescue! Patience is personified as someone who can talk sense into
the speaker. Patience is often personified in Christian art because of its
role in helping one to achieve important virtues like courage and wisdom.
- The
speaker is about to "murmur" his foolish question about whether
God would be so cruel as to make impossible demands of work, but then his
patience steps in to stop him. The rest of the poem is the reply made by
patience.
- First,
patience points out that God does not need anything. God is
complete and perfect. He doesn't need work or talents ("gifts")
of any kind.
Line 11
Bear his mild yoke, they serve him best. […]- Patience
now scores its second point in the rebuttal to the speaker. Patience
argues that those people are the best servants of God who allow their
fates to be linked with and controlled by God, as if they were wearing a
yoke.
- Essentially,
this means accepting things as they come, especially suffering and misfortune.
- A
"yoke" is a wood frame that is placed around the necks of farm
animals, like oxen, so that they can be directed.
- Patience
doesn't want to make God sound like a slave driver, so God's yoke is
called "mild," or not-that-bad. It's not how much you have to
show for your time on earth that counts, it's how you handle your
submission to God.
Lines 11-14
[…] His stateIs Kingly. Thousands at his bidding speed
And post o'er Land and Ocean without rest:
They also serve who only stand and wait."
- The final
point made by patience is that God is like a king, not a lord, so the
"Parable of the Talents" does not strictly apply.
- Lords
need everyone on their estates to work for them; they usually don't have
the resources to spend on keeping servants just to stand around and wait
on them. Kings, on the other hand, have unlimited resources, especially if
they control a "state" as large as the entire earth.
- With His
kingly status, God has plenty of minions to do His "bidding" by
rushing from place to place – that is, doing things that require light and
vision. It doesn't make a difference whether one more person fulfills the
role or not.
- But
kings also have people who "wait" on them, who stand in a state
of readiness until their action is needed.
- To
summarize, we believe that the sentence, "His state is kingly,"
is meant to contrast with the "lordly" state of the master of
the Biblical parable in Matthew 25.
- This
being Milton, of course, "wait" can also have the meaning of
waiting for something to happen, as in, "I waited for the bus."
- What
would the speaker be waiting for? The Second Coming of Jesus? The end of
history? We don't know because the poem only suggests this meaning
oh-so-vaguely.
- The word
"post" here just means "to travel quickly." That's why
the mail is often referred to as the "post," because you're
supposed to travel quickly to deliver it.
- The poem
ends with a vindication of the speaker's passivity, which has been forced
on him by his blindness.
Vision, Light, and Darkness
Symbol Analysis
This poem is sometimes called
"On His Blindness," but the speaker might respond, "Blindness?
What blindness? I'm not the one who's blind. It's the world that has run out of
light." This argument is like saying that you aren't really running – it's
the world that is rolling beneath you like a treadmill. As you can see, Milton
uses complicated wordplay to describe why the speaker has a hard time serving
God. His "blindness" is like a lamp that runs out of fuel, like the
daylight that turns to night, and like a currency that hasn't been used to
maximum effect.
- Line 1: Vision is not same thing as "light,"
although vision requires light. So, we can't just substitute one word for
the other. Milton is using a metaphor to compare his vision to a
light source that could run out, like an old-fashioned lamp that burns
through its oil.
- Line 2: "Ere half my days" is a way of
saying, "Before my life is through." But "days" also
introduces the idea of daylight. The speaker's "days" are now
more like nights. He uses another metaphor to compare his lack of
vision to an imagined world that does not have light. The phrase
"this dark world and wide" is also an example of alliteration.
- Line 7: The speaker compares God – again using metaphor
– to a master who makes his servants work in darkness. He
"denies" them light, which sounds heartless.
The Parable of the Talents
Symbol Analysis
The poem hinges on a pun on
"talent" in the sense of "skill" and "talent" as
a unit of monetary measurement in Biblical times. The parable of talents occurs
in chapter 25 of the Gospel of Matthew, and it tells the story of two servants improving their own
lot by increasing the bounty of their master. In the first section, the speaker
compares God to the "lord" in the parable who goes away on a trip and
returns to ask what his servants have done with their money. In the second
section of the poem, "patience" explains that God is more like a king
who does not need all his servants to actively work for him.
- Line 1: The word "spent" becomes a pun
when we read it in light of the discussion of money and currency in the
next few lines. The speaker's ability to see is like a currency, and he
has unfortunately burned through it too soon. That "light" was
supposed to last him all the way through his retirement!
- Lines 3-5: The word "Talent" has a double
meaning, as described above. The whole Biblical parable about hiding the
talent and not turning the master's currency into a profit is used as an extended
metaphor in which God is compared to the lord, while the speaker is
the third servant who has buried the money.
- Line 6: The word "account" is also a double-entendre
that works on both sides of the extended metaphor. In one sense, "account"
is a story of justification for how the speaker has used his time on
earth. In another sense, the "account" is the amount of money
the servant in the parable is able to show to his lord. The servant must
give this account after his lord has "returned" from traveling.
- Lines 11-12: We think that the observation that God's
"state is Kingly" is meant to contrast God with the lord from
the parable.
Patience, Please
Symbol Analysis
"Patience" is an important
virtue in Christianity. It allows people to work toward other
"theological" virtues like hope and faith. When the speaker begins to
question whether God might be kind of a cruel figure for demanding work from
people who can't perform it, patience steps in to correct him. The twist, of
course, is that the speaker must already have patience in order for the
personified figure called "patience" to come on the scene.
- Line 7: The speaker is about to ask a rhetorical
question about God's justice before patience interrupts him.
- Line 8: The virtue of patience is personified as
"patience," the amazing advice giver. In the second half of the
poem, patience replies to the speaker's question.
- Line 11: The metaphor in the first half of this
line compares God's rule over men to the wooden yoke that guides farm
animals.
- Lines 12-13: These lines present an image of servants
rushing all over the world, by land and by sea, to serve God. These
"servants" are Christian soldiers, merchants, politicians,
clergy, etc. Lines 11-14 form an extended metaphor comparing
service to God with service to the most powerful king in the world.
- Line 14: The word "wait" is a pun. It
means "wait" in the sense that the speaker will wait until the
end of his life to meet his ultimate fate, and also in the sense that a
person "waits" on a more powerful person simply by standing
there until he is needed.
When I Consider How My Light is Spent (On His Blindness): Rhyme, Form &
Meter
We’ll show you the poem’s blueprints, and we’ll listen for
the music behind the words.
Italian (Petrarchan) Sonnet in Iambic Pentameter
Milton loved the classics, and in the 17th century, "classic"
meant anything associated with Ancient Greece or Rome. The heart of the Roman
Empire was located in what is now modern-day Italy, and the sonnet was invented
in Italy, so it was not a surprise that Milton would favor the original Italian
form of the sonnet. This form is divided up into two sections, one with eight
lines and one with six. Shakespeare, on the other hand, used a sonnet form that
ended with a rhyming two-line couplet. The Italian sonnet form was made popular
by the Italian poet Petrarch, who was to the literary Renaissance what The
Temptations were to Motown.The rhyme scheme of this sonnet is ABBAABBAC CDECDE. So, you can see that lines 1, 4, 5, and 8 all rhyme with each other. Unlike a classic Italian sonnet, "When I consider how my light is spent" does not divide cleanly into eight lines and six lines, however. The first section of the poem consists of the speaker trying to frame his foolish question, and the second consists of the response to the question by a figure named "patience." Most Italian sonnets have a sharp thematic turn or "volta" between the two sections, but in this poem the turn is a bit muddled between lines 8 and 9. If you think about it, the confusion makes perfect sense, as it conveys the awkwardness of someone (patience) interrupting someone else (the speaker) before the speaker can say something stupid.
The meter of the poem is classic iambic pentameter, with five iambs (an unaccented syllable followed by an accented syllable). Some of the lines do not fit the pattern exactly, but the pattern itself is clear:
"Doth God ex-act day-la-bor, light de-nied?"
Finally, this poem features a lot of enjambment, which is when one line runs over into the next without a pause. Just check out the end of each line, and you'll find that over half lack punctuation markers like periods or semi-colons.
Speaker Point of View
Who is the speaker, can she or he
read minds, and, more importantly, can we trust her or him?
Though the speaker may be seething
with frustration and even anger at God, he knows that he must tread very
carefully if he wants to express himself. He has the skills and intelligence to
do great things out in the world, but he has been tripped up by a seemingly
trivial problem: his light has run out. Unfortunately, this unlucky event
throws a big wrench in his plans to be useful. The speaker imagines that he
could have become a famous politician or even, say, the author of one of the
greatest epic poems in the English language. (Cough, cough). But now he can't possibly
do any of that, right? (Cough, cough, cough.) He's a hard worker, and he
can't just sit still! Can he?
You get the impression from reading the first section of the poem that the speaker just wants to shout, "You can't seriously expect me to do my Christian duty without vision. This is a joke, right?" Fortunately, the speaker has a little guy in his shirt pocket named "patience," capable of popping out and delivering a pep talk whenever it looks like the speaker is about to lose his cool. The important thing to remember is that "patience" belongs to the speaker.
Finally, we can see why the speaker thinks he would be so useful to God and to society: he is incredibly smart. With his ability to pack complicated arguments into a few brief lines, he would make an amazing lawyer. Also, he probably knows the Gospels inside and out because the "Parable of the Talents" is one of the least frequently quoted stories from the New Testament. On the other hand, the speaker still has "half [his] days" left to live, so maybe, just maybe, he'll still get around to doing great things.
You get the impression from reading the first section of the poem that the speaker just wants to shout, "You can't seriously expect me to do my Christian duty without vision. This is a joke, right?" Fortunately, the speaker has a little guy in his shirt pocket named "patience," capable of popping out and delivering a pep talk whenever it looks like the speaker is about to lose his cool. The important thing to remember is that "patience" belongs to the speaker.
Finally, we can see why the speaker thinks he would be so useful to God and to society: he is incredibly smart. With his ability to pack complicated arguments into a few brief lines, he would make an amazing lawyer. Also, he probably knows the Gospels inside and out because the "Parable of the Talents" is one of the least frequently quoted stories from the New Testament. On the other hand, the speaker still has "half [his] days" left to live, so maybe, just maybe, he'll still get around to doing great things.
When I Consider How My Light is Spent (On His
Blindness) Setting
Where It All Goes Down
The poem reminds us of those scenes
from horror movies where the hero is walking through some dark and dangerous
place – chased by monsters or something – and his flashlight/torch/lamp
suddenly flickers and goes out. You hear heavy breathing and…what's that?! Did
you hear a branch break?!
OK, the speaker is not in mortal danger, but he feels like his soul is endangered. He is left to navigate a "dark" and "wide" world without his vision. What's more, his demanding "Maker" has gone on a trip, and he worries he will be cast into further darkness if he can't make use of his "Talent." That "Talent" is buried deep within him, like a gold coin that has been thrown in a hole and covered up with soil.
In the second half of the poem, "patience" presents a different view of the world. In this view, the world is a huge kingdom with thousands and thousands of servants working to achieve God's will. Some of them speed from continent to continent like the characters in an Indiana Jones movie. Others just stand around until the king calls for them.
OK, the speaker is not in mortal danger, but he feels like his soul is endangered. He is left to navigate a "dark" and "wide" world without his vision. What's more, his demanding "Maker" has gone on a trip, and he worries he will be cast into further darkness if he can't make use of his "Talent." That "Talent" is buried deep within him, like a gold coin that has been thrown in a hole and covered up with soil.
In the second half of the poem, "patience" presents a different view of the world. In this view, the world is a huge kingdom with thousands and thousands of servants working to achieve God's will. Some of them speed from continent to continent like the characters in an Indiana Jones movie. Others just stand around until the king calls for them.
Sound Check
Read this poem aloud. What do you
hear?
If you ever wanted to know what
walking on eggshells sounded like in a poem, this sonnet is a prime example.
The speaker buries the climax of the first part of the poem – the question of
whether God demands "day-labour, light denied" – inside all these
other delicate expressions of why light is so important to him. The poem has a
lot of short phrases separated by commas and which seemingly bring us further
and further from the point, as if Milton is worried that the whole sonnet might
crack open into a steaming mass of resentment. It's like if you had a classmate
who said, "When I think about how my pencil just broke, I can't finish my
math problem, and I like math so much, but you really need an eraser to do it,
or else you might be stuck with a wrong answer, which would lead to a bad
grade; 'Can I borrow a pencil?' I would want to ask you." Just ask for the
darned pencil already!
However, when we consider that the speaker is about to talk to God, we can understand his desire to be cautious. The decision to questioning God's judgment is not to be taken lightly. The speaker is so cautious that he says, "I fondly ask" after he asks the question, which serves to take the sting of arrogance and insubordination out of it. Put another way, the time it takes you as reader to figure out what the speaker is trying to get across lessens the direct force of his statements.
"Patience," by contrast, is more direct. It uses shorter, more declarative sentences like, "His state is kingly." Because they are making complex arguments, both the speaker and "patience" use frequent enjambment, where one lines carries over into the next without a pause. This gives the poem a prose-like and slightly evasive sound (the eggshell thing, again). The entire poem builds to the final line, which does not carry over from the previous line and sounds remarkably clear and straightforward: "They also serve who only stand and wait." And we breathe a sigh of relief that the speaker has managed to hold things together until the end.
However, when we consider that the speaker is about to talk to God, we can understand his desire to be cautious. The decision to questioning God's judgment is not to be taken lightly. The speaker is so cautious that he says, "I fondly ask" after he asks the question, which serves to take the sting of arrogance and insubordination out of it. Put another way, the time it takes you as reader to figure out what the speaker is trying to get across lessens the direct force of his statements.
"Patience," by contrast, is more direct. It uses shorter, more declarative sentences like, "His state is kingly." Because they are making complex arguments, both the speaker and "patience" use frequent enjambment, where one lines carries over into the next without a pause. This gives the poem a prose-like and slightly evasive sound (the eggshell thing, again). The entire poem builds to the final line, which does not carry over from the previous line and sounds remarkably clear and straightforward: "They also serve who only stand and wait." And we breathe a sigh of relief that the speaker has managed to hold things together until the end.
What’s Up With the Title?
This sonnet first appeared in Milton's 1673 collection of Poems
simply as the nineteenth sonnet in the collection, or Sonnet XIX. Many readers,
including us, refer to it by the first line, "When I consider how my light
is spent." Identifying a poem by the first line is standard practice in
the poetry world.But, many more readers refer to the poem as, "On His Blindness." The problem with this title is that it didn't come from Milton. It was given almost a hundred years later by Bishop Newton, a writer and clergyman (source). Now, almost everyone agrees that the poem is most likely about Milton's blindness, but Milton never says so up front, leaving the door open for some interesting ambiguity. If Milton had wanted to say, "Hey, guys, this poem is about my blindness!" he could easily have done so. Newton's invented title changes the way you read the poem, which is why we prefer to use the first line of the poem.
John Milton’s Calling Card
What is the poet’s signature style?
"Light" in Darkness
Some critics think that Milton's blindness gave him an uncanny ability to
depict light, darkness, and shadow. This sonnet offers pretty strong evidence
for that claim. The central extended metaphor combines the concepts of light
and money into symbolism as dense as seven-layer cake. Light and darkness
interact in strange ways in Milton's poems. One of the most famous sections in Paradise
Lost describes the interior of Hell as having:No light; but rather darkness visible
Served only to discover sights of woe,
"Darkness visible." Wow. Milton's blindness proved to him that one can "see" even without light. We should also point out that the distinction between light and darkness is central to Christian theology.
Tough-O-Meter
We’ve got your back. With the Tough-O-Meter, you’ll know
whether to bring extra layers or Swiss army knives as you summit the literary
mountain. (10 = Toughest)
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