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Friday, April 26, 2013

Introduction to Poetry full explanation

Introduction to Poetry



Poetry: is a literary work in metrical form or patterned language. It is the art or rhythmical composition, written or spoken. It is designed to produce pleasure. Poetry is felt then to be produced.

Types of Poetry
1.     Narrative poetry.
2.     Descriptive poetry.
3.     Reflective poetry.
4.     Lyric.
5.     Sonnet.

The Sonnet: is a poem of fourteen (14) lines. It is divided in to two parts; the first part is the first eight lines called octave, where as the second part is the last six lines called the sestet.

e.g.: “Death be not proud”
    by: John Donne. 

Type of Sonnets:
1.     The Petrarchain Sonnet.
2.     The Shakespearean Sonnet.
3. The Miltonic Sonnet.

Poetic Devices

          Poetic devices can be classified into two types: meaning devices and sound devices.

1. Meaning devices:

It can also be subdivided in to the following:
1. Simile: A direct comparison of two completely different objects, using like or as but there is one common aspect between them.
2. Metaphor: An implied comparison between two totally different objects, yet there is an aspect of similarity between them.
3. Extended metaphor: a metaphor which covers a whole poem or a great part of it. Sir. Thomas Waytt's "Hind" contain an extended metaphor, with the hunter representing the passionate poet and the deer representing his beloved.
4. Conceit: a far-fetched comparison between very dissimilar things. It usually involves intellectual cleverness. In "A Valediction: Forbidding Mourning" Donne compares his soul and that of his love to the two legs of a compass used to make a circle.
5. Synecdoche: a figure of speech in which part of something is used to signify the whole and it refers to the whole used to signify the part. As in "hired hands"
6. Personification: to give animals, ideas and inanimate object human quality. In "The Chariot" Emily Dickenson compares death to a groom who comes to take her on her wedding night.
                 Because I could not stop for death
                 He kindly stopped for me 
7. Apostrophe: an address to an absent person, an abstract concept, or an inanimate object directly. In "Go Lovely Rose" Edmund Waller talks directly to a rose and asks it to be his messenger to his lady.
8. Paradox: a metaphorical statement of seeming self-contradiction. Yet it implies a logical meaning. In "Althea From Prison" Richard Lovelace challenges authority with his own concept of freedom.
Stone walls do not a prison make,
Nor iron bars a cage
9. Oxymoron: a paradoxical statement that combines two terms that are normally opposite. Surrey describes beauty of a lady as a "bitter sweet".
10. pun: a play in words which suggest more than possible meaning. "Shake, thou shake the world" the first "shake" refers to Shakespeare in brief, while the second hold is dictionary meaning.
11. Irony: the term used to describe a contrast between what appears to be and what really is. Andrew Marvell ironies his lady's stubborn attitude in the following way:
The grave's fin private place,
But none. I think, do there embrace
12. Symbol: something relatively concrete, such as object, action, character, or scene which refers to something relatively abstract. A word "flag" refers sovereignty, all colors signify symbolic implications.
13. Image: an idea, a concept, or experience is presented concretely in a series of lines of verse.
Drink to me only with thine eyes
And I will pledge with mine
Or leave a kiss but in the cup
And I'll not look for wine
     Ben Jonson has embodies his concept of spiritual in his concrete image which uses looks into eyes and kisses through a cup.
14. Hyperbole: a metaphorical statement which involves great exaggeration, whose effect may be serious or comic. Andrew Marvel's description of his "vegetable love" in "To His Coy Mistress".
15. Allusion: a brief indirect reference to a person, event, or place, real or fictitious, or to a work of art. Seal of Prophets refers to prophets Muhammad, the shepherd signals to prophet Moses. Mother of battles (war in the Gulf against U.S.A), the crucified prophet Jesus Christ.
16. Antithesis: a contrast or opposition in meaning, emphasized by a parallel in grammatical structure.
A tongue of honey, a heart of gall
                 There is honey in the tongue, but bitterness of heart.
17. Zeugma: a verb which has a grammatical connection with more than one object, each of which suggest a different meaning
"Go Lovely Rose"    
Tell her that wastes her time and me
                      V.        O.1            O.2
                    Edmund Waller starts a grammatical with two object. In each, the verb "wastes" suggests a different meaning. In the first, it means spends her time foolishly, while in the second, it gives the meaning of "torture me".

2. Sound Devices

1. Alliteration: the repetition of consonant sounds at the beginning of words or within words, particularly in accented syllables. It can be used to reinforce meaning. Unity thought or simply for musical effect.
2. Assonance: the repetition of similar vowel sound followed by different consonant sound in stressed syllables or words. It is often used instead of rhyme.
3. Repetition: to repeat a word or phrase in a line of verse or a line is repeated in a poem in order to achieve emphasis or musical effect or merely wordiness.
4. Onomatopoeia: Imitation of the sound of words spoken. Some single words in which sound suggests meaning.
5. Caesura: a pause usually near the middle in a line of verse. It can be indicated by a punctuation mark.
6. Refrain: the repetition of one or more lines in each stanza of a poem.
Sixteenth Century of Poetry 1558-1603

This period covers many men of letter and especially in poetry; there are some poets who are well known, some of them are
1.                 Sir. Thomas Wyatt
2.                 Henry Howard, Earl of Surrey
3.                 Edmund Spenser.
4.                 Sir. Philip Sidney.
5.                 Sir Walter Ralegh.
6.                 William Shakespeare.
7.                 Christopher Marlowe.
8.                 Thomas Campion.


1.           Thomas Wyatt was the first one who introduced the sonnet to England from Petrarch (Italy). Its main structural division is (octave and sestet), (abba, abba, cde, cde).
2.           Eral of Surrey modified the Italian scheme as (abab, cdcd, efef, gg). It is also called Shakespearian.
3.                 Sir. Philip Sidney: he is also experimenter in the English sonnet, he was famous (Terza Rima), (abba, abba, cdc, dee).
4.                 Spenser: used the modified English form following the division (abab, bcbc, cdcd, ee).

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